Writing as Healing

I hope you agree, it’s better late than never to share my notes and lessons from last year’s “Writing as Healing” panel sponsored by Fine Lines.

We had a panel of authors who rocked my world.

First came Abigail, who requested to not have to go first, but did anyway. She bravely shared her truths, how the truth feels, and how she faces it. Then, Kathy shared her heartbreak, her honesty, and how writing helped her. How writing keeps her son’s name in the conversation. Suzanne gave us beautiful words among hard lessons. Her storytelling wove around the room and embraced us. She reminded us of the rewards after the pain. She asked us to be truthful, see the joyful bits, and inspired random acts of storytelling to share with the universe. Start that unknown conversation. Share and be shared.

words help kgAll of our panelists emphasized that everyone has the chance to show purpose with words and live through the tough bits. By sharing her journey, each person has come to help others, others who have grieved, and those who need to remember. Life is fragile and precious.

When and What to Share?

When it comes to trauma and grief or whatever you’re working through, time does not equal readiness to share your work. Write for yourself first. Then, when you’re ready, polish. Be sure there is a message. Perhaps a resolution. When you hit send or publish, you have a responsibility to the reader, what is your gift to them?

Not a me-moir, (As memoirs are often described by agents and publishers.) too centric and full of unmanaged bits. You have to tame your story. Give this portion of your life an arc, a relatable beginning, middle and end. Fill it with language that moves. These things will make it a gift to the reader.

It’s Your Story

Your grief, stress, trauma or any life difficulty is real and yours and it is not to be compared. Write to release. Drink water. Breathe. Take breaks. Empower yourself with empathy and fill your soul with the stories of humanity.

Submission and Rejection

Don’t be crushed by rejection. No one is rejecting your truth or your experience. What is most commonly being rejected is form, style, and fit. Your story must fit into where you send it, and there are reasons you should know (by reading writer guidelines and copies of published materials) and reasons you can’t know, like there is already a similar piece set-up in publication or similar editorial factors that aren’t public, yet.

Letting Go

The most important lesson is to let go. For many of us, we let go by letting the words go. Giving them the freedom to surge from pen to paper or from fingers to keys, the words’ life is new but the pain’s energy dissipates, maybe never to disappear, but to release the power it once held. Writing is healing.

– Mardra Sikora

5 Tips Your Written Work is “Done”

Today’s Guest Blogger: Abigail Hills

Am I done?

the endA lot of us writers are perfectionists. We want to make sure every single letter; every comma is flawless. When do you know you’re done working on a piece? When do you distinguish the time to put down the pen, or stop clicking away at that keyboard? “I’m finished.” Are you able to say that?

Many writers are not. One published novelist told me she only knows she’s done when her editor tells her she has written enough. Most writers believe they are never done. Even after something is published, a lot of writers still feel their work is unfinished, and that’s okay! Here are some helpful tips from me, another writer, to get you to a place where you can say “I’m done.”

 

  1. When you’re sick of working on a particular piece, you’re done. You started out with something you really loved, but now you dread going back and editing. That piece has reached its finale. Send it to someone else to edit. You’re done.
  2. Remember that you may never feel your piece is “done.” You might always think you could have done better. We all feel that way sometimes. That doesn’t mean you aren’t finished.
  3. As you mature as a writer, your tastes will also change. Spending too much time on one piece can often do you more harm than good. You could spend the rest of your life on one single piece of writing, and never feel it’s finished. This is sometimes called the “Black Hole of Revision.” If it’s been a long period of time, too long for the amount of pages you have, you’re done.
  4.  Ask yourself these four questions: Did I complete all the necessary story points? Have I taken out parts of the writing that I simply don’t like? Does everything make sense? Are my characters believable? If the answer is yes to all four of these questions, it’s likely you are done.
  5. Ask a friend. Ask someone whose opinion you trust to read your work. If they have some major things you need to change, you have work to do. If they only have small comments, it’s time to submit!

 

Remember, you don’t have to be 100% confident in your piece to submit it to an editor. Sometimes the pieces writers are the least sure about are the first ones to get published. This doesn’t mean you shouldn’t revise. Revision can be your best friend! However, at some point, enough is enough. Carry on writers… but not for too long.

How do you decide you’re work is done?

 

Bio: Abigail Hills is a published writer and editor for Fine Lines. She is getting her bachelor’s degree in creative writing at the University of Nebraska at Omaha. She is also a public speaker and advocate for those who suffer from anxiety and depression. Follow her at @AbigailHills on Twitter.

 

Creative Non-Fiction: What You Need to Know

There often seems to be a consensus among folks when talking about writing, that creating creative non-fiction is difficult, and only for the most expert writers. However, this is a monstrous falsehood! Anyone can write creative non-fiction; here’s what you need to know ->

The Non-Fiction in Creative Non-Fiction

The first rule to writing non-fiction is to be as truthful as possible. Yes, the word creative means you’ve created bits, but that doesn’t mean you’ve created something from scratch. For example, begin with a place you’ve visited, an interesting person you met, an experience you had, a funny joke you were told, and start your story there. The place, the people, the sounds, the smells, those are all real things you’ve experienced. Remember; the definition of non-fiction writing is a story based on real facts and information.

The Creative in Creative Non-Fiction

Continue reading “Creative Non-Fiction: What You Need to Know”