The world of Willa Cather can be seen right now . . . virtually

Sundays are great days for road trips.  If you can’t get motivated to leave you air conditioned house, well, there are options.  This link — www.willacather.org/learn/virtual-tour — takes you to the heart of Red Cloud, Nebraska.  The virtual tour of the places mentioned in Willa Cather’s novels and stories is amazing.  Screen Shot 2016-07-24 at 11.26.50 AM

A Novel in November: National Novel Writing Month 2016

By Stu Burns
By Stu Burns

Longtime contributor Stu Burns penned the following article. It’s all about writing a bunch this fall along with thousands (tens of thousands? more?) people across the nation and world.  Read and enjoy and think about trying your hand at knocking out a novel.

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There is a piece of folk art that I’ve seen floating around offices and tacked on refrigerators. It is a circle with the letters “TUIT” printed on the interior – a “round TUIT” if you will. As the story goes, most people have some great project they are ruminating on that they will undertake once they get “a round TUIT.” This little homophonic talisman, abusive of language as it may be, is a gentle reminder that the opportunity they seek is right in front of them, ready for the taking.

Since people who are apathetic about writing rarely read literary journals, chances are that you are either a regular writer or aspire to be. To paraphrase Jane Austin, it is a truth universally acknowledged that a regular or aspiring writer must be in want of their first book. If you have already completed a volume or two, that’s great. However, I suspect that most of my readers have rather good ideas for novels, but have delayed progress on them until they “get a round TUIT.” I am not so naïve as to ignore the many real reasons that most of us have not written our long works of fiction. Children, work, education, and many other slings and arrows of outrageous fortune organically conspire against the singularly meditative practice involved in writing, and a cutout paper charm is no substitute for the gumption it takes to grind out a novel.

I am not qualified to give any wisdom on that discipline; my own books remain trapped in my head and heart, still waiting to run free on paper or through digital media. Over the last few years, though, I’ve become friends with a remarkable cadre of creative minds who have found a great way to push out the words, turning off their private editors and censors for one month to accomplish a goal most folks never reach: writing a short novel.

National Novel Writing Month (NaNoWriMo) is a just-for-fun, on-your-honor program that thousands take part in every year. In its purest sense, the prospective author starts out with a blank word processor document at 12:01 am on November 1. By midnight of the 30th, they have a narrative of 50,000 words. Some people have prepared extensive outlines in the preceding months. Others fly by the seat of their pants, making things up as they go. Many take advantage of their online co-writers, posting their word counts daily on the national website, nanowrimo.org, and trading pointers on that website’s forums. Even more find fellowship with the writers in their local communities. Most larger towns have regional groups that host training sessions and kickoff parties in October, along with “first-chance” events at midnight on Halloween, several group “write-ins” through November, and a “Thank Goodness It’s Over” party after the dust has settled. Most NaNoWriMo novels tend toward science fiction or fantasy, but people write in all genres. For example, Sara Gruen’s 2006 historical romance Water for Elephants began life in National Novel Writing Month, eventually reaching best seller and Quill Award nominee status. Young Adult novelist Rainbow Rowell, already an established author, took up the NaNoWriMo challenge in 2011 and found it invigorating, saying that the strict time limit made her write more courageously than she ever had before. As ANY writer will tell you, the regular habit of writing every day is the single best way to produce good writing, and a concerted effort to write over 1,600 words a day, every day, is a good boot camp to instill that habit.

So take up the task this year, if life allows. Put fingers to keys and write. Forget about editing or care; there will be time for that later. (Erin Morgenstern wrote her bestselling novel The Night Circus for NaNoWriMo 2004, but the editing was not complete for over six years.). Join us for kickoffs and write-ins; the details for your region are easily found on nanowrimo.org, and some regions (including Omaha, Nebraska, where I’m based) keep meeting year-round; in my own life, NaNoWriMo has been the source of some of my closest friends and co-conspirators. This November, seize your round TUIT. Win or lose, you will be glad you did.

 

From the Journal: “Dad and Daughter”

It’s a Saturday night as this gets posted.  This poem by Sheila Boerner is titled “Dad and Daughter.”  It’s from the current issue of Fine Lines.  Boerner was an English teacher at St. Patrick’s Jr.-Sr. High School in North Platte, NE, for many years.  Before that, she raised a family of six children.

 

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From the Journal: Zelda by Kathie Haskins

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The summer issue of Fine Lines is out.  It’s available here on the website.

One of the poems in the current edition is “Zelda” by Kathie Haskins, and part of it appears below.  Haskins grew up in Papillion, Neb., and currently lives in Millard with her husband and two children. She enjoys writing poems and reflections about nature and everyday life, and hopes to one day publish a book of her poetry.

 

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Monday with Martin: Nurturing the Writer’s Garden

This post from David Martin goes back to the very beginning — 1994.  In it, David describes how he came to see how important personal writing could be as an educational method.  Check it all out below.

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By David Martin
By David Martin

This year I tried to make something special happen in my classroom. I decided to teach what I knew was right for me and my students. I sacrificed the tired, traditional composition format of grammar, mechanics, and the five-paragraph theme. I instituted a new divine trinity: the first person pronoun, writing from direct experience, and the journal.

So far, I am not sorry with my decision. In fact, I see tremendous improvement in my students. In previous years, I taught the following levels of English composition: pre-remedial, remedial, hospital English, terminal English, pre-civilized sophomores, academic juniors, twelfth grade night school, creative writing, and college undergraduates (freshman and advanced upperclassmen). Many students from each level told me quietly, in secret, so none of their friends would hear that they felt writing to be fun again. They told me they learned self-discovery through their writing.

I was most inspired, however, to find proper punctuation magically appearing where necessary, when the students believed what they were writing was important and someone was going to read and believe what was written, inside and outside the classroom. Passion, al kinds, entered into their papers, to stay, to grow, like seeds well nurtured in a garden.

My high school is an above average, college prep school. The faculty and administrators are very happy with the schools image and success. It provides good teachers and good education for the average, above average, and the gifted teenagers. I saw a way I could add to this quality by increasing the warmth and humanness in English class. I offered a place of caring for the individual student with personal journal.

In my high school classes, one day a week is devoted to journal activities. By far, the most successful writing-teaching technique I have used to incorporate the personal journal into all my lessons. I feel strongly that my students’ writing improved with the journal that 20% of my class time is concentrated in this yearly project.

I prepared a list of over 300 topics for students to write about if they could not find interesting ones of their own, but I always gave them a choice of topics on which to write.

The first day of class, students had to design the own coat of arms by cutting pictures from old magazines to pictorially represent the following characteristics of themselves: 1) one important item of their past, 2) one important item of the present, 3) one important item of their future, 4) one important item of how others see them, 5) one important animal that symbolizes their personality, 6-7) two favorite quotations which illustrate important concepts wit which they identify.

Each student must bring an open loose leaf, three-ring notebook with rings two to three inches in diameter. I store them in my so they are always available to me, and I may read them at my convenience. The students take loose-leaf paper home with them and when the assignment is finished the next day; they simply insert the pages into their notebooks. This prevents loss of books and increases neatness and orderliness.

I read the notebooks weekly. Each student writing is titled which lets me read selectively when I must, but each page is at least spot read. I always leave a check on each page to let the student realize that his pages have bee read even if I don’t comment on each one.

When it comes time for grading the journals, I inform the writers that the grading in done by the pound. Effort and quantity are the primary qualities I am looking for. I only make positive comments in the journal. I never make a negative one.

This writer’s garden receives only nurturing and fertilizer, never any poison or salt. With this system, I have seen changes in students’ attitudes towards English class within two weeks time. This positive reinforcement of the writer’s individual communication greatly affects not only my classes but the students’ self-confidence and their outlooks on life in general.

This year-long project develops into a warehouse of feelings, emotions, ideas, and personal revelations. In less than nine months, it surprises me every year how many students tell me, “Mr. M.! I was re-reading my journal last night and I don’t feel the same way about…that I did in September and October.” The students’ ideas move and evolve through their writing and because of their writing.

Frequently, I give students a topic and four minutes time to finish writing their ideas. Usually, they will write one-half page per four minutes. In a forty minute period an average student will finish four to five pages. This is half of their weekly writing assignment for the journal. I give “A’s” to those who produce 10 pages a week.

I try not to let the students come up for air on these days. Just as they start to breathe easily, I give them another topic. I always let them leave room on their paper, as much as they want, so they can go back and finish any uncompleted thoughts when they relax. In this way, they start in class and can finish as much as they choose.

Jokingly, I say to switch hands if their first one gets tired while writing. Even the slow composition students enjoy the challenge after a few times because they make so much progress in their journals. The ones who can’t think of something to write about must find new excuses not to write.

The journal is simply the biggest project undertaken all year. Neatness, effort, pride of ownership, creativity, they all count, but quantity is paramount. Some journals are all letters; some are all short stories; some are all possible mixtures. I don’t care, as long as they write. All prose papers written in class or for class may count.

Creativity is encouraged daily; we write at football games, at museums, in study hall, looking out windows. Seventy-five pages at the end of the semester are required for a “1.” All other grades are pro-rated on a percentage basis.

Extra credit may be earned in excess of 100%. I have given journal grades as high as 300%. If the students want to write, I never put a ceiling on their productivity or their earning potential. Write on. Right on.

I write every assignment that I give my class. I read them out loud to each class and treat all the students as if they were in my small group. This breaks barriers more easily than anything else I have found when it comes to getting reluctant student writers to share their work in class. My children at home keep a journal, and sometimes I bring their work to share with my high school students.

One student graduated a year ago and continues to write. Her production now includes thousands of pages, only a few years after graduating from high school. Once every two months, she brings her notebooks to me so I can read them.

This student and I went to her grandmother’s grave in a local cemetery one day so she could say important words to her that she never had a chance to speak before this favorite relative’s death. The student’s invitation was the most unusual one I ever received. After clearing the trip with her parents, we found the grave and sat down in silence. One hour in the cemetery with this student was a guaranteed stimulus for writing. She has not quit writing in her journal since.

I try to have fun with the journals in many ways. I include stickers with funny sayings on them. “Far out! Now you are going to town! Excellent! Teeeerrrriiiiffffiiiicccc! The stickers remind some of elementary school, but when a student of mine does not get one, I sure hear about it.

My students stopped complaining about how much writing they were doing after the first quarter, when they saw that I was not going to stop expecting them to produce, and neither was I going to quit writing myself.

When they saw that I was passing out grades in excess of 100%, they became believers. If a student writes more than 10 pages per week, I liberally pass out extra credit grades, resounding praise for that person’s enthusiastic composition, and send their best work in to the Fine Lines editors.

Journaling is the greatest tool that I have found for encouraging students at all levels to write, to improve their writing, and to enjoy writing. No matter how slow students might be at the beginning of class, if they don’t give up on writing. I promise it won’t give up on them. No matter how good students might be upon entering the class, if they continue to write in their journals, I promise them they will improve.

I tell all my students that if they keep their faith in their journal, their journal will keep its faith in them. Writers must write what they mean and mean what they write. Write on. Happy journaling. Keep the faith.

Sure it’s late June, but here’s a piece about winter storms

Screen Shot 2016-06-25 at 10.23.57 AMThe College World Series is underway.  The temperature will slide up into the 90s by the afternoon.  Still, it’s good to remember that winter is out there waiting.  What follows below is the start of a prose piece from the current issue of Fine Lines.  The author is the late Howard Dwyer, who was born in 1887 and lived in Hastings, Nebraska.  He had worked as a columnist for country newspapers.

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Some voices (and photos) of a few Fine Lines editors

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This short slideshow with audio (posted to Youtube) captures the thoughts of a few Fine Lines editors.  The monthly editing meetings are where copy is marked up, decisions are made, and more than a few snacks are consumed. Enjoy.

 

Summer Camp Approaches . . . Need Details?

2012 camp Karleen 2There is a page of details, of course.  It’s available by following this link — Summer Camp.

The information is copied below for your conveniences, too.

Camp for Creative Writers

2016 Registration Open!

Where: University of Nebraska-Milo Bail Student Union

Nebraska Room – Second Floor

When: June 20-24, 8:30 a.m. – 12:00 p.m.